Louisa May Alcott's Orchard House in Concord, Massachusetts

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Louisa May Alcott's Orchard House

Concord, Massachusetts · Est. 1858

In Brief

At Orchard House in Concord, Massachusetts, where Louisa May Alcott wrote Little Women, the ghosts come in two sets — the real Alcott sisters who lived there, and the fictional March girls she invented inside its walls. Locals can't always tell you which ones they mean.

The Full Story

Orchard House sits on Lexington Road in Concord, Massachusetts, and the ghosts there come in two sets. There are the real Alcotts, who lived in the house from 1858 to 1877. And there are the fictional March girls of Little Women, who were invented inside its walls. People who talk about the house slip between the two without noticing, so when a Concord local says they still see the girls, you can't always tell which girls they mean.

Louisa May Alcott wrote the novel here in 1868, in her own bedroom, at a half-moon shelf desk her father built into the wall for her. Most of what surrounds that desk is the genuine article — roughly 75% of the furnishings belonged to the Alcott family themselves. May, the youngest sister, painted directly onto the walls of her room, and those drawings are still on the plaster. The house keeps the people in it close.

It was built to keep them. Bronson Alcott, Louisa's father, bought the place in 1857, and by then it was already old — the timbers go back to around 1700, the oldest of any house the Alcotts ever lived in. He joined two structures into one, which is why the place runs crooked: stairways turning up in unexpected spots, rooms that open onto other rooms. A house like that holds onto whoever walks through it.

One of them never even arrived. Elizabeth, the sister Louisa wrote into the book as Beth, died in March of 1858, weeks before the family moved in. She never lived a day at Orchard House. Her small reed organ, the story goes, still sits in the dining room near the back staircase anyway.

So the family that came and the family Louisa made up overlap in the same rooms. A guest essay by Alcott writer Gabrielle Donnelly puts it plainly: both sets of ghosts "live on there still, and most happily and energetically so" — Jo flying around with broom in hand, Father strolling through with his head in a book, Beth smiling quietly from the corner.

Nobody reports a cold spot or a figure on the stairs. Concord keeps its documented hauntings elsewhere, at the Colonial Inn and the Old Manse. What Orchard House has is people who walk out moved to tears, swearing they felt a presence. Greta Gerwig, who adapted Little Women in 2019, said it too: "I felt like I was seized by the spirit of Louisa May Alcott." She wasn't standing in the house when she said it. The line between the living, the dead, and the made-up was always meant to be thin here. The girls Louisa invented turned out to be the ones who stayed.

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